Taken from Arandel's new album 'InBach' out January 24th, 2020, on InFiné. Stream/order: https://idol.lnk.to/InBach
Arandel released his debut album ‘In D’ in 2010, and is considered by many to be an experimental classic. Loved by music collectors, DJs, and sample diggers alike, the release was a nod to the American composer and musician Terry Riley and received critical acclaim from the likes of The Wire, XLR8R, The Line of Best Fit and Finders Keepers’, Andy Votel. Four more studio albums followed; ‘Solarispellis’ (2014), ‘Umbrapellis’ (2015), ‘Extrapellis’ (2016) and ‘Aleae’ (2017) and Arandel also received blog success with his 2016 ‘Electronic Ladyland’ mixtape which focused on pioneers in electronic music and featured Suzanne Ciani and Wendy Carlos.
Arandel's new opus, ‘InBach’, pays a poetic, infinitely respectful and innovative homage to Bach’s sacred workings. Born out of a proposal by the Musée de la Musique (Paris), the aim was to highlight the rich collection of recordings produced by the Musée and to surround and illuminate the extraordinary but often hibernating instruments housed in the museum with vivid, contemporary music.In the immensity of Bach's oeuvre, in the company of his fellow wanderers, within the constraints of historical instruments, emboldened by the delightful, sometimes technically dangerous friction between acoustics and electronics: Without a net, Arandel walks a tightrope without a faux pas.
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