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----- A reformed tramp becomes a policeman to fight a huge thug terrorizing an inner city street.

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----- Charlie chaplin comedy video Laughing Gas 1914

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----- The New Janitor was the 27th comedy from Keystone Studios to feature Charlie Chaplin. The film is arguably one of his best for the studio, and a precursor to a key Essanay Studios short, The Bank.
The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company. He is caught in the act of raiding the vault by the bank secretary (Carruthers) who rings the downstairs for help. Chaplin comes to the rescue only to be misjudged by the Chief Banker as the thief. The Secretary fingers the manager and Charlie receives a just reward and a handshake for foiling the robbery.

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----- Charlie is a tramp on the road. A hobo manages to exchange Charlie's sandwich for a brick so Charlie must eat grass. The same hobo molests a farmer's daughter; Charlie comes to aid with the help of the brick. When two more hobos show up Charlie throws all three into a lake. The grateful girl takes Charlie home where he fails as a farmhand. He again helps drive off the hobos (who are now trying to break into the house). The girl's fiance arrives. Though a hero, Charlie, knowing he must go, writes a farewell note and leaves for the open road.
Director: Charlie Chaplin
Producer: Jess Robbins
Written by Charlie Chaplin
Starring: Charles Chaplin, Edna Purviance, Leo White, Billy Armstrong, Lloyd Bacon, Bud Jamison, Paddy McGuire, Ernest Van Pelt

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----- Charlie is walking in the park. A girl leaves a seaman on one bench and joins Charlie on another. The seaman wakes up. He and Charlie stage a brick fight. Policemen get hit and arrest both men. During an ensuing fight on the dock the policemen, the seaman, Charlie and the girl wind up in the water.

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----- The movie debut of Edna Purviance, she was Chaplin's female lead for more films than any other actress in his career. It was also Chaplin's first film with Essanay in California as his 1st Essanay was made in the Chicago studio. Also known as "Charlie's Drunken Daze", it co-stars Ben Turpin.
Released on February 15th, 1915 by Essanay Studios.

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----- A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.

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----- A well-to-do family of three is asleep on a park bench. The father (Charles Insley) is awakened when a pretty girl (Margie Reiger) trips over his outstretched feet. The father is an incorrigible womanizer and immediately follows the girl to another park bench while his wife (Marta Golden) and adult daughter (Edna Purviance) remain asleep. He briefly departs to buy himself and the girl drinks from a refreshment stand. As soon as he leaves, Charlie arrives at the park bench where the pretty girl is seated. Charlie attempts to flirt with her—and the girl seems to enjoy his company. The father returns with two bottled drinks and jealously smashes one over Charlie's head, knocking him senseless. The father escorts the girl away. The girl tells the father she wants to play hide-and-seek. He agrees. She blindfolds him and walks away. Charlie regains his senses and comes across the blindfolded father. He leads him to the edge of a pond with his cane. The father removes his blindfold moments before Charlie kicks him into the water. (A passing park policeman who tries to intervene gets kicked into the pond too.) Charlie comes across the father's wife and daughter and makes a favorable impression. They invite him to their house for refreshments. Meanwhile, the father befriends another man in the park whom Charlie has earlier annoyed (Billy Armstrong). Together they go to the father's home. When snacks are put on the table, Charlie demonstrates a unique way of serving doughnuts and is having a merry time when the father sees him. The other man, who is flirting with the father's wife in the kitchen, sees Charlie too. Both men try to corral Charlie, but he knocks them cold—but not before his trousers are ripped off his body. Charlie initially runs into the street without any pants, but the commotion he creates outside causes him to retreat back into the house. Charlie goes to an upstairs room where he conveniently sees a woman's dress suit on a mannequin. He changes into it and is seen in a hallway by the daughter. Instead of being angry, the daughter laughs at the spectacle and suggests Charlie continue with the charade of dressing as a female to fool her flirtatious father. She even offers him a pair of female shoes and a place to shave his mustache. The female Charlie is introduced as a college chum of the daughter, and succeeds in attracting the attention of both the father and his friend. The father resents the competition and angrily knocks his friend out of the house. Charlie's true gender is eventually revealed, however, when his skirt falls off. Another fight ensues. Charlie and the father seem to have made peace, but the father reacts angrily when Charlie wants to court his daughter. Charlie is thrown out of the house and lands alongside the other man where another battle begins.

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----- The title is an inside reference to this being Chaplin's first of 14 Essanay films he made after leaving Mack Sennett's Keystone Studios.
Also one of Gloria Swanson's earliest screen appearances. She's the stenographer on the left that Chaplin speaks to when the movie begins.
It's the only film Chaplin shot at Essanay's Chicago studio. He found the facilities and climate (His New Job was shot in mid-winter) not to his liking, and Chaplin soon relocated back to California.
Released on February 1st, 1915 by Essanay Studios.

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----- The title is an inside reference to this being Chaplin's first of 14 Essanay films he made after leaving Mack Sennett's Keystone Studios.